Welcome to Seattle Photographic Society!

Founded in 1933, Seattle Photographic Society is a friendly group of supportive amateur and professional photographers.  We strive to build both our skillsets and our community through image critiques, discussions, lecture, demonstrations, field trips, friendly competition and intra-club activities.

The club’s interests are primarily in the classical definition of photography, which has to do with the capturing of the original image(s) and post processing. Images generated by artificial intelligence are not eligible for entry.

Every month we hold several different types of meetings. Check out our Meeting Schedule to see what events are coming up.  

 

 

 

Announcements  

Member Spotlight

Congratulations to Bill Ray and anyone else who was accepted into the Kenmore Art Show. The show runs August 14-16 & 19-23 at the Kenmore City Hall. 

 

End of Year Results

Winning Projected Image of the Year

Congratulations to Jenny Stuart for "Larry, Curly, Moe" and winning best of the year in projected images.

 

Winning Print Image of the Year

Congratulations again to Jenny Stuart for the winning Print Image of the Year, "Proud Puffin"!

 

End of Year image entries and winning images

Congratulations to all who submitted images and to those who rated 1st, 2nd, 3rd and Honorable Mentions. Note: It may take a few seconds for the galleries to load so give it 10 seconds or so.

Projected monthly category entries and winners.

Prints monthly category entries and winners.

Projected special category.

Prints special category.

 

Calls for Entry

Arts of the Terrace 

The Mountlake Terrace Friends of the Arts & the Mountlake Terrace Arts Advisory Commission are seeking entries in paintings/printmaking/drawings, miniatures, photographs, 3-dimensional, and artisan works for the 46th Annual Arts of the Terrace Juried Art Show. The submission deadline is August 14th. More information can be found here

WTA Northwest Exposure Photo Contest 
Northwest Exposure is WTA's annual photo contest that celebrates outdoor photography and the community of hikers that explore Washington's trails. The contest will open again on August 10, 2026. More information can be found here

Print and Projected Nights

Projected night is the first Tuesday of every month. Print night is the second Tuesday. The next dates are: 

  • Projected Image Night. Tuesday, August 4, 7pm. Theme =  Barns, Sheds, Everyday Structures. Commentators scheduled are Chip Dodd and Chris Tompkins. Please submit your images by 2 pm Monday the day before the meeting. To keep to our two hour timeframe, we kindly ask that all participants keep their commentary and responses short. 
  • Print Night, AugustAugust 11, 7pm. Print Night is held in person at Luther Memorial Lutheran Church, 13047 Greenwood Ave N, Seattle, WA 9813.
For details on image Category rules, check the SPS website under Competitions - Competition Categories. Reminder that Theme images follow the guidelines of Open Category.

Themes in the upcoming months at Projected Images Night:

  • August — Barns, Sheds, Everyday Structures. Lean into rural character and everyday structures—barns, sheds, outbuildings, fences, silos, old doors, and weathered textures. Think graphic shape, patina, and stories told through materials and wear.
  • September — Shadows. Make shadow the subject. Look for long late-day angles, silhouettes, hard-edged geometry, layered shade, or subtle tonal gradients. Street scenes, forests, and interiors can all become studies in shape and rhythm.
  • October — Wabi-Sabi. Find beauty in imperfection and the passage of time. Seek out simplicity, asymmetry, and the marks of age—weathered wood, repaired objects, patina, cracks, moss, and gentle decay. Embrace subdued tones, thoughtful negative space, and images that convey quiet reflection.
  • November — Lens Effects. Use the camera’s “imperfections” creatively: flare, starbursts, bokeh, diffraction, shooting through glass, raindrops on the lens, or intentional soft focus. Experiment—this theme rewards play and risk.

The full list for the 2026-2027 competition year can be found at any time on the website. The first theme of the 2027-2028 competition year is In Bloom.  

 

Member and Educational Activities

Sales Corner 
Sam Ruljancich has a few items for sale including a new Epson v700 flatbed scanner for $20, two easels, and a porter case. Please reach out to him if you are interested in any of these items. 

Education Night, Daniel J. Gregory, August 25th 7pm
Join us in August for an evening with local photographer, artist, and educator Daniel J Gregory. Daniel teaches Fine Art Printing, Contemporary Color, and other courses at Photographic Center Northwest. He also offers classes at his studio on Whidbey Island, leads workshops in locations including the Palouse and Bandon, and hosts The Perceptive Photographer podcast. For SPS, Daniel will explore what connects us to our work--what makes a photograph meaningful. His talk explores 

"Have you ever wondered what makes a photograph stick in our minds long after we've seen it? While technical skills certainly play a role, I've found that the most engaging photos are born from intention, curiosity, and a desire to look beyond the surface. As these layers begin to develop, we ultimately find that our voice, vision, and style become the key factors that empower us to create images that are not only visually striking but also deeply meaningful. 


In our conversation, we'll dive into the fascinating role that language, perception, attention, and intention play in our creative journey, and how these can lead us to more meaningful connections with our subjects — and ultimately our images. 

This isn't about getting camera settings right or the latest trends; rather, it's an invitation to reflect on why we choose to capture moments, how we engage with our surroundings, and what it truly means to produce images that reflect who we are. We will focus on exercises, practical ideas and methods that can enhance your appreciation for the gifts we receive when we truly start creating images that resonate with us."

Daniel will also be speaking at the NWCCC conference later this year. 

SPS Book Club
Book Club is currently reading The Soul of the Camera by David du Chemin. We will be taking a little break to digest everything we have learned in the last three books, starting up again in early January. Three books are currently under discussion--another DuChemin book, a David Ulrich book, and a Gay Tal book. If you are interested in joining for a future book, please contact Jenny Stuart. 

Macro Photography Group
SPS Member Bill Wheeler has a Macro Photography Group. If interested, contact him by going to the SPS website, then "Send Email to Members" under "Our Club" and search for his name under "Select from Member List." 

Share your ideas at sps-news-box@seattlephotographic.com will be doing small group night on July 28th. More details to come. Please note that the Zoom link will be different moving forward. So, please check the website for the latest link!

Local Events and More


 

Car Show Photographic Meetup with Kenmore Camera and Michael Sladek, August 29 8-11 am

British Car Day at the Exotics at Redmond Town Center on Saturday, August 29 from 8:00 am -- 11:00 am. You’re invited to join for a morning to photograph cars at Redmond Town Center on British Car Day and meet with fellow photographers. They will have a Zoom meeting on September 12 to review and talk about your photos. More information here

Beyond Mysticism: The Modern Northwest, ends August 2nd
Last chance! Inspired by the region’s natural beauty and rapidly changing city, this exhibition showcases artists who told the raw story of Seattle in the 20th century.

Ingrid Weyland: Topographies of Fragility, Foster/White Gallery, August 6-22
Ingrid Weyland photographs remote landscapes, then folds, crumples, and manipulates the prints to explore humanity’s physical and environmental impact on nature. Your newsletter editor wants to put a shout out for Ingrid. If you haven't seen her work before it is well worth making time to see it. You can get information and to see some of the work here. There is an artist reception on First Thursday from 6 - 8 pm. 

Perseid Meteor Showers, August 12-13
The American Meteor Society lists the 2026 Perseids as active July 17–August 2, peaking August 12, with 0% moon on peak night, which is unusually favorable for night-sky photography

Ballard Photo Walk with Kate Hailey, August 15, 10 am
Meet outside of the National Nordic Museum (near the troll). From there, wander along some of the waterways, streets, and alleys, seeking broad scenes and details. Reserve a spot here

PCNW: Life, Liberty, and the Pursuit, ends August 16
The photographs in this exhibition move between defining moments and everyday life, placing events like the commemoration of Stonewall, the Dakota Access Pipeline protests, the Black Lives Matter movement, the January 6 attack on the U.S. Capitol, and civil unrest surrounding ICE enforcement alongside quieter, more intimate scenes. Together, these images suggest that history is not separate from daily experience, but embedded within it. 

Dahlia Show at Sky Nursery, August 22-23
Go see dahlias and if desired come home with your own bouquet. More information here

Shadows of a Fleeting World, ends September 13
In commemoration of the second printing of the seminal 2011 publication Shadows of a Fleeting World: Pictorial Photography and the Seattle Camera Club, Cascadia Art Museum presents an accompanying exhibition to celebrate the new edition in cooperation with the University of Washington Press. As the main author, Cascadia Art Museum’s curator, David F. Martin has assembled over seventy rare, original photographs from various sources.

The Seattle Camera Club folded in the Depression but some members formed SPS in 1933. In visiting, you'll connect with SPS past. 

Jorir Minaya: To Hell with Hibiscus, Henry Art Gallery, ends May 2027
The exhibition at the Henry showcases the versatile language of textiles that Minaya has developed to critique the making of a global Tropics—a fabricated realm for the “exotic” extending from the Caribbean to the Pacific. From her storied Aloha shirts to the floral spandex cloths she designed to cloak colonial monuments, the works on view will weave new myths and cannibalize worn stereotypes, using Seattle as a touchpoint to imagine shared histories that connect across the Global South.rst Thursday in Pioneer Square! Always fun to visit when it's warm and light outside. There is free parking available. More information on that here

                          


Vote for the Traveling Salon
In August we will be voting for the Olympia Camera Club. Starting on the first of the month, you can view the images here and then vote for your top five here SPS and the NW Council of Camera Clubs thanks you.

 

The Creative Spark
From the Editor's Desk

Long exposure photography changes considerably depending on the amount of available light. In daylight, the main challenge is reducing the light enough to reach the shutter speed you want.Even at a low ISO and a small aperture, you will likely need a neutral-density filter to blur motion.A moderately strong filter may be enough to soften motion, while a darker filter can extend an exposure to many seconds or even minutes. It helps to decide on the creative effect first, then choose the filter that gets you into the right shutter-speed range.

Twilight is often the easiest and most rewarding time to work. As the light falls, longer shutter speeds become possible without very strong filters, and the remaining color in the sky can add richness to the scene. The fun, and perhaps the challenge, is that the light is changing quickly. You can go from a five second exposure to a twenty second exposure in short period of time. It can be interesting to shoot through twilight and see how the changing light affects the image.

At night, the pace slows again. Focusing and exposure become more deliberate. Autofocus may struggle, so it is often easier to use live view, magnify a bright light or distant object, focus manually, and then leave the focus alone. Exposure becomes a matter of testing and refining. City lights require careful attention to highlights. Darker landscapes may need much longer exposures or a higher ISO. Photographing the Milky Way requires careful focusing and a balance between ISO and the longest shuttle speed you can use before the stars begin to streak, a different long exposure use case than we've been talking about.

The way you work changes with the light. Daylight is about controlling excess light. Twilight is about responding to rapidly changing light. Night is about working slowly and methodically with very little light. In each case, the goal is not simply to make the exposure as long as possible, but to choose the shutter speed—and the working method—that best expresses the movement and atmosphere of the scene.

 

Bill Ray's Classes
Right Place, Right Time Toolkit:  Planning ahead can boost your odds of success on landscape and night photography shoots. Bill’s new class demonstrates how to use apps like PhotoPills, The Photographer’s Ephemeris, and Astrospheric, using real-life PNW examples. 

Southeast Utah Red Rocks Slideshow:  Bill’s SPS recap of his week in Southeast Utah. Includes expanded guidance on backcountry road navigation and fuel planning.

Lightroom Classic to Desktop Migration: Simplify your workflow. Learn how Bill transitioned from Lightroom Classic to the streamlined Lightroom Desktop interface, dropping catalog complexity 2 years ago without sacrificing editing capabilities. 

Details and registration at billrayimages.com    

Be Spam Aware
We’ve been made aware of scam emails that may appear to come from SPS or club officers. Please be cautious — SPS will never ask you for money or gift cards via email. If you receive a suspicious message, do not reply or click on any links. Instead, report it to SPS so we can follow up. Stay safe and keep your inbox scam-free!
 

 


 

 

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© Copyright 2013-2026 by Seattle Photographic Society. 

 All rights reserved. Request prior written permission from the photographer to reproduce their images.


 

 

 

 

 

 

 

 

 

 

 

 

 

 


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